On this appeal — involving an action brought by the estate of the late Ernest Hemingway and his widow against the publisher and author of a book, entitled "Papa Hemingway" — we are called upon to decide, primarily, whether conversations of a gifted and highly regarded writer may become the subject of common-law copyright, even though the speaker himself has not reduced his words to writing.
Hemingway died in 1961. During the last 13 years of his life, a close friendship existed between him and A. E. Hotchner, a younger and far less well-known writer. Hotchner, who met Hemingway in the course of writing articles about him, became a favored drinking and traveling companion of the famous author, a frequent visitor to his home and the adapter of some of his works for motion pictures and television. During these years, Hemingway's conversation with Hotchner, in which others sometimes took part, was filled with anecdote, reminiscence, literary opinion and revealing comment about actual persons on whom some of Hemingway's fictional characters were based. Hotchner made careful notes of these conversations soon after they occurred, occasionally recording them on a portable tape recorder.
During Hemingway's lifetime, Hotchner wrote and published several articles about his friend in which he quoted some of this talk at length. Hemingway, far from objecting to this practice, approved of it. Indeed, the record reveals that other writers also quoted Hemingway's conversation without any objection from him, even when he was displeased with the articles themselves.
After Hemingway's death, Hotchner wrote "Papa Hemingway," drawing upon his notes and his recollections, and in 1966 it was published by the defendant Random House. Subtitled "a personal memoir", it is a serious and revealing biographical portrait of the world-renowned writer. Woven through the narrative, and giving the book much of its interest and character, are lengthy quotations from Hemingway's talk, as noted or remembered by Hotchner. Included also are two chapters on Hemingway's final illness and suicide in which Hotchner, writing of his friend with obvious feeling and sympathy, refers to events, and even to medical information, to which he was
The complaint, which seeks an injunction and damages, alleges four causes of action. The first three, in which the Estate of Hemingway and his widow join as plaintiffs, are, briefly stated, (1) that "Papa Hemingway" consists, in the main, of literary matter composed by Hemingway in which he had a common-law copyright; (2) that publication would constitute an unauthorized appropriation of Hemingway's work and would compete unfairly with his other literary creations; and (3) that Hotchner wrongfully used material which was imparted to him in the course of a confidential and fiduciary relationship with Hemingway. In the fourth cause of action, Mary Hemingway asserts that the book invades the right to privacy to which she herself is entitled under section 51 of the Civil Rights Law.
The plaintiffs moved for a preliminary injunction. The motion was denied (49 Misc.2d 726, affd. 25 A.D.2d 719), and the book was thereafter published. After its publication, the defendants sought and were granted summary judgment dismissing all four causes of action. The Appellate Division unanimously affirmed the resulting orders and granted the plaintiffs leave to appeal to this court.
Turning to the first cause of action, we agree with the disposition made below but on a ground more narrow than that articulated by the court at Special Term. It is the position of the plaintiffs (under this count) that Hemingway was entitled to a common-law copyright on the theory that his directly quoted comment, anecdote and opinion were his "literary creations", his "literary property", and that the defendant Hotchner's note-taking only performed the mechanics of recordation. And, in a somewhat different vein, the plaintiffs argue that "[w]hat for Hemingway was oral one day would be or could become his written manuscript the next day", that his speech, constituting not just a statement of his ideas but the very form in which he conceived and expressed them, was as much the subject of common-law copyright as what he might himself have committed to paper.
Common-law copyright is the term applied to an author's proprietary interest in his literary or artistic creations before
It must be acknowledged — as the defendants point out — that nearly a century ago our court stated that common-law copyright extended to "`[e]very new and innocent product of mental labor which has been embodied in writing, or some other material form'". (Palmer v. De Witt, 47 N.Y. 532, 537; emphasis supplied.) And, more recently, it has been said that "an author has no property right in his ideas unless * * * given embodiment in a tangible form." (O'Brien v. RKO Radio Pictures, 68 F.Supp. 13, 14.) However, as a noted scholar in the field has observed, "the underlying rationale for common law copyright (i.e., the recognition that a property status should attach to the fruits of intellectual labor) is applicable regardless of whether such labor assumes tangible form" (Nimmer, Copyright, § 11.1, p. 40). The principle that it is not the tangible embodiment of the author's work but the creation of the work itself which is protected finds recognition in a number of ways in copyright law.
One example, with some relevance to the problem before us, is the treatment which the law has accorded to personal letters — a kind of half-conversation in written form. Although the paper upon which the letter is written belongs to the recipient, it is the author who has the right to publish them or to prevent their publication. (See Baker v. Libbie, 210 Mass. 599, 605, 606.) In the words of the Massachusetts court in the Baker case (210 Mass., at pp. 605-606), the author's right "is an interest in the intangible and impalpable thought and the particular
Letters, however — like plays and public addresses, written or not — have distinct, identifiable boundaries and they are, in most cases, only occasional products. Whatever difficulties attend the formulation of suitable rules for the enforcement of rights in such works (see, e.g., Note, Personal Letters: In Need of a Law of Their Own, 44 Iowa L. Rev. 705), they are relatively manageable. However, conversational speech, the distinctive behavior of man, is quite another matter, and subjecting any part of it to the restraints of common-law copyright presents unique problems.
One such problem — and it was stressed by the court at Special Term (SCHWEITZER, J.)
The rules of common-law copyright assure this freedom in the case of written material. However, speech is now easily captured by electronic devices and, consequently, we should be wary about excluding all possibility of protecting a speaker's right to decide when his words, uttered in private dialogue, may or may not be published at large. Conceivably, there may be limited and special situations in which an interlocutor brings forth oral statements from another party which both understand to be the unique intellectual product of the principal speaker, a product which would qualify for common-law copyright if such statements were in writing. Concerning such problems, we express no opinion; we do no more than raise the questions, leaving them open for future consideration in cases which may present them more sharply than this one does.
On the appeal before us, the plaintiffs' claim to common-law copyright may be disposed of more simply and on a more narrow ground.
The defendant Hotchner asserts — without contradiction in the papers before us — that Hemingway never suggested to him or to anyone else that he regarded his conversational remarks to be "literary creations" or that he was of a mind to restrict Hotchner's use of the notes and recordings which Hemingway knew him to be accumulating. On the contrary, as we have
Assuming, without deciding, that in a proper case a commonlaw copyright in certain limited kinds of spoken dialogue might be recognized, it would, at the very least, be required that the speaker indicate that he intended to mark off the utterance in question from the ordinary stream of speech, that he meant to adopt it as a unique statement and that he wished to exercise control over its publication. In the conventional common-law copyright situation, this indication is afforded by the creation of the manuscript itself. It would have to be evidenced in some other way if protection were ever to be accorded to some forms of conversational dialogue.
Such an indication is, of course, possible in the case of speech. It might, for example, be found in prefatory words or inferred from the circumstances in which the dialogue takes place.
For present purposes, it is enough to observe that Hemingway's words and conduct, far from making any such reservation, left no doubt of his willingness to permit Hotchner to
The second count does no more than put another label on the same allegations as those upon which the first was based. As Justice SCHWEITZER expressed the thought at Special Term, "[t]he reasoning which denies [the plaintiffs] protection or recovery on theories of common-law copyright also operates to deny recovery on any theory of unfair competition." (53 Misc.2d 462, 472.) In point of fact, there is no competition of any kind, unfair or otherwise, shown by the plaintiffs' affidavits. Hotchner was not competing with Hemingway; the latter's acquiescence in Hotchner's practice of writing about him disposes of any such suggestion. There is not a word of proof, nor could there be, that, as alleged, the Hotchner book "unfairly compete[d] with other literary matter * * * created and written" by Hemingway. Moreover, the affidavits disclose nothing which resembles the "palming off" or other deceitful practice which must be present before an otherwise lawful use of literary material might be stamped as unfair competition. (See Hebrew Pub. Co. v. Scharfstein, 288 N.Y. 374; Flamingo Telefilm Sales v. United Artists Corp., 22 A.D.2d 778, 779.) Since State law is sufficient to bar the plaintiffs' claim under the second cause of action, we have no need to consider the contention of the defendant Random House that the decisions in Sears, Roebuck & Co. v. Stiffel Co. (376 U.S. 225) and Compco Corp. v. Day-Brite Light. (376 U.S. 234) apply to preclude the plaintiffs' reliance on a State remedy for unfair competition. (See, also, Cable Vision v. KUTV, Inc., 335 F.2d 348, 354.)
In their third cause of action, the plaintiffs incorporate all of the allegations of the first, adding to them the charge that the use of Hemingway's conversations was a breach of a confidential relationship between him and Hotchner. In fact, on this appeal, they claim that the third cause "rests" on the first. Since we have already found the first to be insufficient,
If the fate of the third cause of action turned on the mere existence of a special relationship of trust between the two men, we would have some doubt that the issue could be disposed of without a trial. However, although there is some uncertainty and conflict in the evidence on this issue, there can be no question that the courts below were right in dismissing this cause of action. Even if it were to be assumed that the plaintiffs' allegations and proofs pointed to the existence of a confidential relationship between Hemingway and Hotchner for some purposes, there is no indication that that relationship envisaged or had, as its subject matter, the conversations or other material which found their way into "Papa Hemingway." The confidential relationship, if it did exist, extended only to the negotiation and carrying out of projects for the adaptation of Hemingway's published books and stories for motion pictures and television. Neither the allegations of the complaint nor the averments in the affidavits go beyond this. There is no showing of any kind that the adaptations were based on Hemingway's conversations; they were drawn from distinct and completed works to which Hemingway held the copyright. Thus, there is nothing in the affidavits from which a restriction on Hotchner's right to quote Hemingway's conversation may be deduced.
The plaintiffs' reliance on such decisions as Underhill v. Schenck (238 N.Y. 7) and Kirke La Shelle Co. v. Armstrong Co. (263 N.Y. 79) is misplaced. In these cases, involving literary property — as in Meinhard v. Salmon (249 N.Y. 458) involving real property — liability was imposed for faithless dealing in connection with the very subject matter which had originally brought the parties together and which formed the basis of their fiduciary relationship. Quite obviously, the case before us presents no such situation.
With respect to the required proof of falsification, under the doctrine of the Hill and Spahn cases, we need but note that, despite a passing reference to the subject in an affidavit, no serious attempt was made to support such a claim. There was no allegation in the complaint of any misstatement knowingly or recklessly made, and in the proceedings below — as the court at Special Term (MURPHY, J.) observed — counsel for the plaintiff appears to have "conceded" that no issue was presented as to the existence of "misstatements, inaccuracies or untruths." Our study of the papers before us confirms this conclusion.
The plaintiff also urges that section 51 creates a right of action not merely for the invasion of privacy "for the purposes of trade" — the aspect of the statute involved in Hill and Spahn — but also for "advertising purposes", and she goes on to contend that the circulation of galley proofs of the book by Random House to the book reviewers of 16 journals and newspapers amounted to an advertisement of the book in advance of its publication.
The orders appealed from should be affirmed, with costs.