PER CURIAM.
This appeal raises only the question whether the two following findings of the district court were "clearly erroneous"; (1.) that the composer of the defendant's offending composition "never heard, had knowledge of, or access to plaintiff's work, or any copy, notation or form thereof"; (2.) that "no part of defendant's music was based upon, or taken, copied or adapted from, plaintiff's work." The only direct evidence of access by the defendant to the copyrighted...
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