The egocentricity which appears to be indigenous to "show business" is here manifested by the passionate insistence of a well-known motion-picture actress to have her name emblazoned on Broadway not only in the same type of the same size, but also on the same line, as that of her male lead. Such vanity — "the frail estate of human things", a "splendid but destructive egotism", as it has variously been called — doubtless...
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